PRESS
RELEASE
Love, Unity and Freedom
Show Runs: Saturday, January 19 –
Friday, March 15, 2013
Show Opening Saturday, January
19, 6-8pm
Join us and the Artists for our
show opening with music by Lawanda Ultan and Greg Pratt and a guest musician
who plays various Persian instruments. Refreshments served.
Expresssions Gallery A Fine
Arts Gallery in the Ashby Arts District in Berkeley, CA.
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Sunday, January 06, 2013
Love, Unity and Freedom-Art Show by Salma Arastu at Expressions Gallery in Berkeley
Saturday, January 05, 2013
Art Show, San Francisco Peace and Hope Reading and Celebration
Art Show, San Francisco Peace and Hope Reading and Celebration
AWE (A Women’s Eye) Gallery,
678 Portola Drive,
San Francisco, CA 94127
San Francisco, CA 94127
http://blog.awegallery.com/
Elizabeth
Hack
Mixed media paintings
February 2 - 24, 2013
Opening
Celebration
Sunday,
February 3, 2013
1-4:30pm
San
Francisco Peace and Hope Reading 2:30pm
Al Young, California poet
laureate emeritus
Dan Brady, Jane Green, Kit
Kennedy, Patrice Haan, John Rowe, Vince Storti, Nancy Wakeman, Sherri
Rose-Walker, Judy Wells
Harp music provided by
Patrice Haan
San Francisco Peace and Hope
is an online publication that promotes peace through poetry, writing and visual
art.
Visit: www.sfpeaceandhope.com
Gallery hours:
Saturday and Sunday, noon to
5pm and by appointment
Biographies
Al Young
California poet laureate emeritus
Web site: www.alyoung.org
Dan Brady
Dan Brady was born in New York City, and this may explain a great deal.
His poetry includes the influences of jazz, mysticism, history, politics,
love, death and a concern for the human condition past, present and that which
is yet to come. He currently hosts the longest running open poetry mic known,
at Sacred Grounds Coffee House on Wednesday nights in San Francisco. Many
stories about him have a grain of truth, so it is the sifting that is
important.
Jane Green
Jane Green
writes her life in poetry. With a couple of Pushcart nominations, poems
published locally and abroad, open mic readings, and four chapbooks, she's
happy to be on the path with the creative process.
Patrice
Haan
Patrice Haan has an ear for melody, a heart for
feelings and a gift for lyrics. As well as playing therapeutic music with
Healing Muses, a non-profit that provides music for healing in Bay-area
hospitals, Patrice is increasingly being recognized for her
songwriting and poetry. She was published in the Spring issue of SF Peace &
Hope 2012 shortly after the release of Bluest Blue, her second
album of original songs for harp, piano, voice and other instruments. Her tunes
are often described as "beautiful, gorgeous, poetic and evocative, healing
our souls and our heartache with the palpable love and the poetry of the
music."
Kit Kennedy
Kit
Kennedy co-authored Inconvenience (Littoral Press, Berkeley) and Constellations
(Co-Lab Press, San Francisco) with Susan Gangel. Beyond the Human
Voice: 7 poems inspired by the art of Susan Black is available as an
e-book. While Eating Oysters is published by CLWN WR BKS, Brooklyn.
Work has appeared in SF Peace and Hope, Ambush Review, It’s Animal but
Merciful, among others. She lives in San Francisco and is Poet in Resident at
the Bay Times and is a member of AWE Gallery Collective.
John Rowe
John Rowe, Bay Area native, is the author of several poetry
chapbooks: At My Wit's Beginning,Winsome Losesome and 15 Years, which previews a full-length collection that's in
the works. Manuel Garcia, Jr. says: "John Rowe takes us into the fault
lines of the language down to its asthenosphere of infinitely fluid
consciousness hidden beneath the brittle commonness of the surface."
JR's poems have appeared in a number of journals and anthologies, and he's honored to be a part of San Francisco Peace & Hope. He's been a frequent award-winner in Artists Embassy International's Annual Dancing Poetry Festival Contests, including a Grand Prize (2002) and a First Prize (2010). He received the Grand Prize in the Bay Area Poets Seasonal Review Contest 2010.
JR is actively involved in the organization and leadership of
community poetry events. He's a co-host of the monthly (2nd Fridays) Last Word
Poetry Reading Series, held at Nefeli Caffe in Berkeley. For many years he's
served as president of the Bay Area Poets Coalition and associate editor of
BAPC's Poetalk magazine.
Vince Storti
Vince Storti has produced poetry reading series’ at Yakety Yak Coffee House
and several other venues. He recently
received a first prize in the midi-poem category awarded by the Bay Area Poet’s
Coalition’s Maggie Mayer Poetry Contest. He
currently serves on the board of directors Alameda Island Poets.
Nancy
Wakeman
Nancy Wakeman
grew up on the rocky coast of Massachusetts. She now lives in San Francisco and
hosts a monthly poetry salon. She is the author of BABE DIDRIKSON ZAHARIAS: Driven to Win, a biography of
the famous golfer, and Shooting Arrows at the
Moon, a book of poetry and prose poems. Her work has been published in the Ambush Review, Bay Area Poets Seasonal Review, The Alembic and other
journals.
Sherri
Rose-Walker
Sherri
Rose-Walker is a life-long poet who wrote her first poem at age seven. Her
poetry, which she sometimes describes as a throw-back to the English Romantics
who, in turn, looked back to the Celts and Anglo-Saxons, is principally
concerned with deepening the life of the feminine, and the seasons of the soul.
She has been published in the We'Moon women's wisdom calendar, The Salt
Reader, Echoes From the Heart, Blueprint, Bay Area Poets Seasonal
Review, San Francisco Peace and Hope, and New Vision (UK). She can be
reached at sherrirose-walker@hotmail.com
Judy Wells
Judy Wells
received her B.A .from Stanford and her Ph.D. in Comparative Literature from UC
Berkeley. She taught writing in Bay Area colleges before a career as an
Academic Counselor for adults at St. Mary’s College of California and
as a faculty member of St. Mary’s Graduate Liberal Studies Program. She
currently teaches writing in a special program for freshmen at UC Extension.
Judy has published nine
collections of poetry: I Dream of Circus Characters: A Berkeley Chronicle (2010), Little Lulu Talks with Vincent Van Gogh (2007), Call Home (2005), Everything Irish (1999), The Calling: Twentieth Century Women Artists (1994), The Part-time Teacher (1991), Jane, Jane (1981), Albuquerque Winter (1980), I Have Berkeley, (1979). She was a featured
reader in the Berkeley Poetry Festival in 2006, 2009, and 2011.
Friday, January 04, 2013
Uncovering an Architectural Treasure in Alameda California
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Uncovering an Architectural Treasure
The Restoration of 1837 Clinton Avenue
Thursday, January 31, 2013 at 7:00 pm
Immanuel Lutheran Church: 1420 Lafayette Street, Alameda, CA 94501
(Parking available at the corner of Chestnut Street and Santa Clara Avenue.)
Free for AAPS members; $5 for non-members
http://www.alameda-preservation.org/rs
510-479-6489
Long-time Alameda restorer and preservationist, Jim Smallman, will share his experiences in the marvelous rebirth of an extraordinary Joseph A. Leonard mansion-scale home.
This two year project included new foundation, structural upgrading, new electrical service and interior rewiring, all new plumbing, major interior repairs, a tasteful new kitchen that blends well with its historic setting, and simply beautiful color treatments, inside and out.
The most unusual aspect of this project may also be the most obvious to passersby. For nearly fifty years the house was entombed in stucco. The conventional wisdom might suggest that such a treatment condemns a house to permanent ugliness. However, there were intriguing bulges and patterns that hinted that much of the original exterior ornamentation might have survived underneath.
Jim will show how the stucco was efficiently removed, and how the underlying Queen Anne ornamentation was brought back to life. He will share his experience identifying obstacles and opportunities in assessing a home’s potential for restoration. Also, highlights relating to costs and strategies, and some tricks that saved money and improved the final result will be revealed.
Jim shares his practical experience acting as his own general contractor, performing project management with the many subcontractors. He will be available to answer questions, and will distribute a contact list of the craftspeople who worked on this extraordinary project. This is a meeting not to be missed!
Jim Smallman bio
Jim Smallman has been active in Alameda preservation and restoration for more than forty years. He bought his first Victorian here (2242 San Antonio) in 1971. This neglected house had been divided into five units and for the next decade he restored it as a single family house.
Along the way, he became President of the then named, Alameda Victorian Preservation Society, and in that role was instrumental in saving a circa 1880 Stick-style house slated for demolition. (The Society bought the house for $1 and moved it.) As an investment, Jim also bought 2246 San Antonio, a much altered Italianate cottage, and restored it.
1833 and 1837 Clinton Avenue were acquired in 1978 but waited until Jim’s retirement for their restoration. 1837 was restored over a two-year period, 2009-2010; 1833 is being restored now.
Jim is a University of California, Berkeley graduate. He worked fourteen years developing construction management software for Kaiser Engineers, part of the forty years he spent developing industrial computer applications. After retiring from the industry, he taught mathematics in high school for ten years in Southern California.
Finally returning home to Alameda in 2008, he reconnected with Alameda’s preservation movement and is active today. Jim Smallman and the craftsmen involved with the restoration of 1837 Clinton Avenue received an AAPS Preservation Award in 2010.
Thursday, January 03, 2013
The Dichotomy of Art at Joyce Gordon
What: The Dichotomy of Art
When: January 4 – January 27, 2013
Opening
Reception: First
Friday, January 4, 6-9pm
Artist
Talk: First
Friday, January 4th 7-8pm
Where: Joyce Gordon Gallery
406 14th St (12th St. Bart Exit)
Oakland, Ca. 94612
Who: Lisa Alonzo, Jonathan Blair, James Gayles and Ruth Tabancay
For more information please contact:
Gallery
Director: Eric Murphy - eric.aioakland@gmail.com
Gallery: 510.465.8928
Gallery: 510.465.8928
Joyce Gordon Gallery
presents “The Dichotomy of Art”, an attempt to examine the
interdisciplinary practices among artists, not just of their interchangeable
artistic media but also the cross sections of their careers.
In 1976, an art program at Columbia College of Chicago was
created to examine and explore the interdisciplinary use of techniques from
across the fine, performing and multimedia arts. This diverse media approach
previously existed as pedagogies of multi-academia challenged each perpetual
field of study, usually for the purpose of reaching a mutual task. This later
became a method for art students to expand their use of diverse techniques
that explore and push the boundaries for new future terrains of art. “The
Dichotomy of Art” pushes these boundaries even further by examining the artwork
of four predominantly Bay Area artists whose interdisciplinary practice involve
tools commonly used by professionals in the white and blue-collar sector of
society that consist of commercial graphics, culinary arts and microbiology.
Lisa Alonzo is a Northern California mix-media
painter currently residing in Alameda, Ca. After two years of studying design at Cal State Long Beach,
she received her BFA
in Fine Art from the
Academy of Art University in San Francisco in 2008.
Alonzo creates paintings from stock images found online. In creating the image, she mimics the pixels she sees from the image onscreen using a pastry tip normally used for decorating cakes. She makes a "fondant" base out of molding paste and as the "frosting" and apply thousands of very saturated dots or starbursts in a pointillistic manner. Her aim is to make the image look as delicious as possible and title the pieces as cakes to be ordered according.
Jonathan Blair was
raised in Monterey and received a BFA in Painting from California College of
the Arts. After getting his degree, he
relocated to Los Angeles and was employed by Disney Studios for a number of
years. He then became an artist for
other major studios in Los Angeles and created numerous privately commissioned
pieces as well. After living in Los
Angeles for over fifteen years, he happily returned to his hometown of
Monterey, where he continues to concentrate on his art.
Blair calls his latest work “iconographic
paintings”. Essentially, he takes
familiar imagery and recreates it in a contemporary way. Marilyn Monroe, Mount Everest, Mother
Theresa, Clint Eastwood – all images we recognize, but Blair clearly relies
heavily on his graphic arts background, creating paintings that are familiar
and a little unsettling at the same time.
Blair says he hopes to “express a sociological message within the
content and title of the paintings themselves.”
James Gayles is an International artist and art instructor residing in
Oakland, Ca. Gayles
attended Pratt Institute in New York, where he studied under renowned painters
Jacob Lawrence and Audrey Flack. He
simultaneously pursued careers in both fine and commercial art. As a commercial
artist he established himself in New York as a Graphic Designer and
Illustrator, becoming Assistant Director of Graphics at NewsCenter 4,
NBC-TV. At NBC he won a television Emmy
Award for design and illustration.
In his
recent “Elder” series, Gayles highlight the various aspects of our culture to
bridge the gap between generations and to pay homage to the ancestors and
elders of various tribes around the world.
This series shows the different and not so different aspects of our
society. Adjacent to this series is a collection of his illustrated work that
was created for the Bay Area News Group over recent years.
Berkeley artist, Ruth
Tabancay works with a variety
of fiber and textile media. With a life-long interest in biological sciences,
she majored in Bacteriology at the University of California, Berkeley before
continuing on to earn an MD degree at the University of California School of
Medicine, San Francisco. She then worked in private practice Pediatrics for
eleven years before deciding to leave her medical practice to study at the
California College of the Arts. After several years of studio classes she was
startled to realize that her work contained the formal elements that she had
once studied under a microscope.
While her work continues to be largely influenced by microscopic
imagery, she uses a range of techniques including computerized Jacquard
weaving, felting, embroidery, and hand-stitched tea bags. She is currently a
member of Mercury 20, a contemporary art gallery in Uptown Oakland. Her work is
in the collection of the Oakland Museum of California.
Curator’s Statement – This
autonomy of life expands the realm of our imagination but cannot be mistaken as
a new frontier. Art that is influenced
by or involves one’s day-to-day practice has gripped the hands of many
predecessors. Let’s examine Italian born
engineer, Ettore Buggati, influenced by a family of visual artists and
considered himself an artist and constructor who designed one of the world’s
fastest and most elegant racing cars, Buggati (now owned by Volkswagen). The interdisciplinary advancement of his
“art” is a nod to his alternate career as a manufacture of airplane parts used
in Buggati’s design.
For the artists in this exhibit,
this Warhol like experience of commercial/working class meets fine art blurs
the line between artistic expression and remuneration. In a gelastic
expression, I imagine the day Clark Kent can come to work openly bearing the
‘S’ on his chest. However, if any part of this can be described as transmittal,
I would have to agree with artist, writer and philosopher, William Morris in
stating that
beauty and care are inherent in everything that is done and that
"art" in fact ceases to exist as a separate entity, and becomes an
aspect of everything that we do. – Eric Murphy
Joyce Gordon Gallery is a commercial fine art gallery located in the downtown district of Oakland California. It exhibits art that reflects the social and cultural diversity of the Bay Area and international artists. The aim of the gallery is to respect the creative pursuits of the individual and seeks to make such work accessible to a broad audience.
Joyce
Gordon Gallery
406
14th St, Oakland, CA 94612
510-465-8928
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